2010
word for/word, Issue 17, Summer 2010, Emblematics
2009
New York Times
“What Do Women Want”
Daniel Berger 2/8/09
Getting Something Read: Short Poems
Anthology Spidertangle (Xexoxial Editions, 2009)
“Nature and Man Are a Given”
“Obscurity, My One-in-Three Piece- Together Fate”
Review of My Summer 1969 course “Just Add Water”
2008
Tertulia Magazine Quarterly, April 2008 “The Enigma of the Human Face”
Otoliths 9, May 2008 Four Visual Poems
O mar, el mar, the sea, la mer, il mare Project
2007
Chimera: I Am My Own Twin: Success!, 2007
Irving Weiss, pp. 64-67
Selections from Sens-Plastique
“Italian sonnet”
The Lyre, February 2007
“Black Ice”
“The Lake”
Natural Bridge, Number 17, Spring 2007
Selections from Sens-Plastique
“Corpus: From Head to Toe”
word for/word No. 12, Summer 2007
2006
Hot Metal Press, Autumn 2006 – “The Man in the Crushed Derby”
Blog auxiliary September 2006 to Eratio Poetry Journal
on review of Visual Voices originally
in Meat Epoch #19, 1996, including “Some Notes After”
Enter “Irving Weiss” in Search Blog
Griddle Grin, Puddle Leaflet Series, #7 2006
“Poem with Vowel Music Strung Too Tight”
“Poem with Eroded Edges”
Word, Issue one, Peek Review 2006
Black Box, Summer Collisions 2006
“Mirror Man”
“anderginnies”
Mail Art to and from Dan Waber and Irving Weiss, December 2006
Green Integer Review no.3, 2006 Selected aphorisms from Sens-Plastique
“30 Days Poem”Sleeping Fish, issue 0.875
Otoliths, Issue 3, 2006
2005
Twelve Visual Voices as Concrete/Minimal Poems
word for/word, Issue #8 Three Infrapics
Durban Segnini Gallery Visual Poetry Exhibit
Heterogenesis: A Tribute to Pablo Neruda, Fragments/Fragmentos video and print publication
2004
Tiziana Morosetti, W.H. Auden: Nel Trentennale della Scomparsa (1973-2003), 2004 Conversation with Thekla Clark and Irving Weiss recorded in Bagno a Ripoli Firenze (2003)
Barry Smylie Website: Excerpts from Visual Voices
2003
Scroll down to “Browse” and enter the search words “Irving” and “Weiss”
Stream #2. 2003
Title Index to Specific Concrete Poems on the Internet “Watar.”
The Montserrat Review, Issue 7, 2003.“Excerpts.”
UbuWeb
ALibris selling Reflections and Thesaurus 2003
Poetic Inhalation (2003)
Xerography: The Triple Edition. November, 2003. Twelve bent nails.
2002
Mangrove Editions: International Review, Four North American Visual Poets. October 2002. “Child of an Expanding Earth” and “Synoptic Poem.”
Ohio State University Avant-Garde 2, 2002
Photograph of Irving Weiss, Ohio State University Avant Garde 2
Diana Levinson Fine Arts:Wordseen Group Exhibit of Visual Poems. Miami, FL. March 7-29, 2002.
“Thing.” “Vertical Reality Sandwich,” “Drawing Poem.” “What’s Wrong with This Picture,” “Origins,” “Creation. . .by Water into Word.”
Montserrat Review, Number #6 , 2002. “Border Crossings.”
Project Hope. 1992. Animation and sound by Reiner Strasser.
2001
Cauldron Vol.3, Spring 2001
Peace Island: Jeju International Mail Art Show.
2000
Scratchpad
Reiner Strasser Response to Scratchpad, 2000
ComprePoetica, 2000
Biography
“Bent Nail”
RIO: A Journal of the Arts, #3, #4. #5, #6, #8. 2000. Visual poems and selections from Sens-Plastique
http://cynthiaanndavidson.com/Rio/
Drunken Boat, June 2000. Eight visual poems.
Van (formerly Mo’Gombu) #1, #5, # 20, #26, #30. 2000.
Tell Me the Truth About Love, BBC television film about W.H. Auden, Art Zone Series, BBC2 March 26, 2000. Interviews in part with Irving and Anne D. Weiss.
1999
Difference Engine, 1999. “Neat Fuss,” “Sing Out,”
Lost and Found Times, 42. May, 1999. “Risk.”
East of the Bay: A Chester River Anthology (Chester River Writers, 1999). “Name That Name.”
Visible Language, 33.2. 1999. “She was here a moment ago ” and “S.”
Rampike, 29th Anniversary Issue, Volume 10, Number 2, 1999. “Seventeen Long Thin Metal Tubes.”
1998
Neuberger Exhibit. 1998 Originals from Visual Voices in Sackner Archive.
Estampilada de Artista/Artistamp International Exhibition. 1998
Vi bienal internacional de poesia experimental fractarte ‘98
Signal: International Review for Signalist Research, Beograd, Serbia # 19-20, “Eleven., “ #18, “About Signalism.,” #13-14, “Invasion,” “The Real Thing,” “ Untitled.”
Synaesthetic, Double Issue, # 4 and 5. 1998. Cover art, “two,” “Genesis,” “I have only one life to live.”
Kent County Arts Council, Chestertown, MD. 1998. Exhibit of visual poems.
Ohio State University, Archive of Experimental Literature. 1998. Visual Voices and Number Poems.
1997 and Earlier
SFF Net : Basement Full of Books
SUN Magazine Issue 146, 1988. “The Most Important Poem in the World” followed by “The Least Important Poem in the World.”
Transmog 23, 1997. “Imp of the Idling Mind.”
KOJA, issue #1 . 1996. “The free hand will never. . . “ and “The Tangle of poems. . .“
Whole Earth Review #89. Spring 1996. Display ad for Visual Voices, showing “Prayer Poem.”
Score 13, Fall 1995. Review in Small Press Review of “From here to there.”
Caliban, 1995. “The Cliffs of Eddie’s Wrath.”
“Performed as Reader of the Chorus in the W. H. Auden and Noah Greenberg Pro Musica Antiqua presentation of “A Maske Presented in the Banqueting Room, at Whitehall, on Saint Stephens Night Last at the Marriage of the Right Honorable, The Earle of Somerset and the Right Noble, the Lady Francis Howard, by Thomas Campion,” at the Kaufman Auditorium of the YMHA, 72nd Street, New York City, January 15 and 16, 1955.”
Dictionary of the Avant Gardes. 2d edition (New York: A Capella Press, 1993). See entries under Irving Weiss and Malcolm de Chazal.
The New York Times Book Review, June 27, 1963. Controversial letter from Irving Weiss, published in the wrong column, concerning review, in a previous issue, by Michael A. Musmanno, of Eichmann in Jerusalem by Hannah Arendt. Controversy continued in opening “Talk of the Town” of The New Yorker, July 20, 1963. XXXIX, No. 22.
The New Yorker, November 3, 1956, XXXII, No. 37, “Soiree.”
“Blood of Reunion,” Abstract. Commentary, November 1948.
Malcolm de Chazal and Sens-Plastique
“Water Aphorisms” from Sens-Plastique also published in Writing in Water. A Terra Nova Book,
MIT Press (2001) (Page 33).
RIO: A Journal of the Arts, #3, #4. #5, #6, #8 . 2000. Visual poems and selections from Sens-Plastique.
Duration: A Journal of International Writing. Issue One, July 1999. Excerpts:
Mauritian Literature: Malcolm de Chazal
Malcolm de Chazal: Selections from translation of Sens-Plastique by Irving Weiss, accompanied by some of Chazal’s paintings.
Malcolm de Chazal Bibliography
Le Mauricien – Week-End, June 6, 1999, “More English Translations of de Chazal Planned.”
Interview with Irving Weiss. Celebration of Malcolm de Chazal.
Outlet 3: Ornament. 1999. Selections on ornament from Sens-Plastique.
Montserrat Review, Issue #1 , 1998. Essay on and translations from Sens Magique.
IRVING WEISS 
